The story of the Kray twins is a fascinating one, full of violence and deceit. In Legend, that story isn't really taken to its full potential, thanks to an unfortunately clunky structure despite brilliant performances, good humour and violence.
Let's start with the best part of this film, that is Tom Hardy's performances as Ronnie and Reggie Kray. The amazing special effects make the dual show possible, but within minutes of the start here, you completely forget that these two characters are played by the same man.
Hardy completely disappears into both men, with an unnerving but humorous turn as the psychotic Ronnie, and a more understated but powerful performance as Reggie, and that really deserves some praise.
What's more is that this film does make use of the very violent nature of the history very well. As bloody as it is foul-mouthed, this isn't a pleasant film to watch, but the level of violence does leave an impression with regards to the Krays' crimes, making it seem all the more real, and all the more frightening.
The big issue I have with this film, however, is that it's not an exhilarating watch. Historically interesting it may be, but at over two hours long, it's not something that will consistently entice you throughout.
There are side plots that aren't picked up on enough, some characters don't get the development they really deserve based on the size of their role, and the plot takes a really long time to get going.
The disappointing thing is that Legend isn't a bad film in any way, nor is it boring, but it gives you a sense of growing importance and tension towards a hopefully climactic end, but it never comes as you want it to.
Two of Hardy's best performances in a movie with not much else going for it.
Andrew Gold
Legend is a gripping movie, there's no doubt about it. Seeing Tom Hardy on screen, whether he's playing Reggie, Ronald, or both, is absolutely captivating. He owns the roles, and despite their identical looks you feel that they're completely different people because of how well Hardy portrays them. Reggie is sophisticated, methodical, affable; Ronnie is impulsive, unpredictable, paranoid. As a vehicle for Tom Hardy's acting chops, Legend is a home run. Unfortunately, that is where the positives of the movie end.
The movie is tonally confused from scene to scene. It can be romantic one minute, ultra-violent the next, then reserved and introspective the minute after that. It's clunky writing; every time the movie begins to gain momentum it trips on itself one way or another. Also, you really don't care about any character other than the twins. I mean, thankfully they're in just about every scene, but they're always surrounded by faceless goons, or with a generic love interest, or no-name cops - not fully fleshed out characters. This is in no way a fault of the actors though. Christopher Eccleston is wasted yet again as a villain after Thor: The Dark World. Here he's in an antihero role as the cop assigned to the Kray's case, but his lines lack any form of personality. He does what he can but he really has nothing to work with. Chazz Palminteri makes an appearance for about 5 minutes total as his usual gangster self, but in the end you're left scratching your head. So many characters, so much potential, but the only thing holding the movie together is Tom Hardy.
So as you can infer, Legend is worth a watch if you're a Tom Hardy fan. He's scarily good in these roles, and two Tom Hardys are better than one. For that reason alone I can't give this movie a lower score. However, if you're looking for substance in a gangster biopic, you'll have to look elsewhere.
The Hardy Twins, what a treat
Alan Benfield Jr (alanbenfieldjr)
The original film about the subject "The Krays" (1990) had Billie Whitelaw as their mother and, somehow, she dominated my memory of the film. Here the twins have a mother but she is, on the film, a distant character and that's what I missed here. I missed their interaction. She clearly had a massive influence in their characters but in Legend, those pieces of the puzzle are unfortunately missing. But, Tom Hardy compensates for any flaws. He is extraordinary, twice. The twins are total individuals, totally two people. What they carry in common is a sort of sexual danger, one explicitly the other implicitly but both as powerful. They dare us to get close. Amazing performance(s)
Hardy terrific, film so so
scott_thompson7454
I was really looking forward to this one; the trailers were great and, whilst I'm not one of those who glamourise the Krays (they loved their mums, would do anything for you blah blah blah), I do find it bizarrely fascinating how the Krays/Richardsons have passed into London folklore. Alas, it's a bit of a let down. Hardy throws himself into both roles, by turns amusing and scary as Ronnie and compelling as a Reggie trying to build an empire while struggling to keep his brother in check. But he is let down by a clunky structure, it takes a while to get going and subplots and characters are introduced and then discarded on a whim, an awful Frances Kray voice-over, and an uneven script which can't quite decide if it wants to be an American style gangster flick or tread the same path as The Long Good Friday, Get Carter et al. And who let Duffy and her nails down a blackboard voice back in? I really hoped we'd seen the last of her after that crap Diet Coke ad. The club scenes aren't quite working guys. I know, let's get Duffy, stuck a wig on her and she can caterwaul her way through some 60s classics. High five!
Not what you might expect
Taylor Haldane
When you walk into a film with not one but two leading performances by Tom Hardy, who's back catalogue brings nothing but pleasure (apart from This Means War, but we'll let that slide), you cant help but feel disappointed when you leave the screen completely unaffected by what you've just watched, and that was certainly how I felt hen it came to Legend.
Labelled of course as a Kray twin biopic, it sadly offers no real insight into their story and only grazes the top of their criminal wrong doings. Instead it goes down the route of Reggie and Frances love story, who is a character so under developed that the fragility her brother so often reiterates, isn't actually explained what so ever and prevents us from feeling anything towards her.
As for Hardy he plays both characters exceptionally well, particularly Ronnie who's insanity and subsequent spontaneity provides some comic relief to it all, however his psychological state is something that could of been explored more thoroughly instead of labelling him as just nuts. The supporting cast, including Taron Egerton and Christopher Eccleston, also do a fine job though Ecclestone's police officer almost gets ignored completely.
The violence is also few and far between but when it appears they definitely don't hold back, providing entertaining scenes more reminiscent of other crime dramas and what you would expect going in. It shows us the real consequences of the lifestyle they live which does its best to offset the fairly superficial painting of 60's London but isn't enough and so the 'glossy' comments its been receiving are sadly warranted.
In the end this adds up to a rather dull final product that wastes so much potential in this genuinely interesting real life crime partnership.
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Let's start with the best part of this film, that is Tom Hardy's performances as Ronnie and Reggie Kray. The amazing special effects make the dual show possible, but within minutes of the start here, you completely forget that these two characters are played by the same man.
Hardy completely disappears into both men, with an unnerving but humorous turn as the psychotic Ronnie, and a more understated but powerful performance as Reggie, and that really deserves some praise.
What's more is that this film does make use of the very violent nature of the history very well. As bloody as it is foul-mouthed, this isn't a pleasant film to watch, but the level of violence does leave an impression with regards to the Krays' crimes, making it seem all the more real, and all the more frightening.
There are side plots that aren't picked up on enough, some characters don't get the development they really deserve based on the size of their role, and the plot takes a really long time to get going.
The disappointing thing is that Legend isn't a bad film in any way, nor is it boring, but it gives you a sense of growing importance and tension towards a hopefully climactic end, but it never comes as you want it to.
Two of Hardy's best performances in a movie with not much else going for it.
Andrew Gold
Legend is a gripping movie, there's no doubt about it. Seeing Tom Hardy on screen, whether he's playing Reggie, Ronald, or both, is absolutely captivating. He owns the roles, and despite their identical looks you feel that they're completely different people because of how well Hardy portrays them. Reggie is sophisticated, methodical, affable; Ronnie is impulsive, unpredictable, paranoid. As a vehicle for Tom Hardy's acting chops, Legend is a home run. Unfortunately, that is where the positives of the movie end.
The movie is tonally confused from scene to scene. It can be romantic one minute, ultra-violent the next, then reserved and introspective the minute after that. It's clunky writing; every time the movie begins to gain momentum it trips on itself one way or another. Also, you really don't care about any character other than the twins. I mean, thankfully they're in just about every scene, but they're always surrounded by faceless goons, or with a generic love interest, or no-name cops - not fully fleshed out characters. This is in no way a fault of the actors though. Christopher Eccleston is wasted yet again as a villain after Thor: The Dark World. Here he's in an antihero role as the cop assigned to the Kray's case, but his lines lack any form of personality. He does what he can but he really has nothing to work with. Chazz Palminteri makes an appearance for about 5 minutes total as his usual gangster self, but in the end you're left scratching your head. So many characters, so much potential, but the only thing holding the movie together is Tom Hardy.
So as you can infer, Legend is worth a watch if you're a Tom Hardy fan. He's scarily good in these roles, and two Tom Hardys are better than one. For that reason alone I can't give this movie a lower score. However, if you're looking for substance in a gangster biopic, you'll have to look elsewhere.
The Hardy Twins, what a treat
Alan Benfield Jr (alanbenfieldjr)
The original film about the subject "The Krays" (1990) had Billie Whitelaw as their mother and, somehow, she dominated my memory of the film. Here the twins have a mother but she is, on the film, a distant character and that's what I missed here. I missed their interaction. She clearly had a massive influence in their characters but in Legend, those pieces of the puzzle are unfortunately missing. But, Tom Hardy compensates for any flaws. He is extraordinary, twice. The twins are total individuals, totally two people. What they carry in common is a sort of sexual danger, one explicitly the other implicitly but both as powerful. They dare us to get close. Amazing performance(s)
Hardy terrific, film so so
scott_thompson7454
I was really looking forward to this one; the trailers were great and, whilst I'm not one of those who glamourise the Krays (they loved their mums, would do anything for you blah blah blah), I do find it bizarrely fascinating how the Krays/Richardsons have passed into London folklore. Alas, it's a bit of a let down. Hardy throws himself into both roles, by turns amusing and scary as Ronnie and compelling as a Reggie trying to build an empire while struggling to keep his brother in check. But he is let down by a clunky structure, it takes a while to get going and subplots and characters are introduced and then discarded on a whim, an awful Frances Kray voice-over, and an uneven script which can't quite decide if it wants to be an American style gangster flick or tread the same path as The Long Good Friday, Get Carter et al. And who let Duffy and her nails down a blackboard voice back in? I really hoped we'd seen the last of her after that crap Diet Coke ad. The club scenes aren't quite working guys. I know, let's get Duffy, stuck a wig on her and she can caterwaul her way through some 60s classics. High five!
Taylor Haldane
When you walk into a film with not one but two leading performances by Tom Hardy, who's back catalogue brings nothing but pleasure (apart from This Means War, but we'll let that slide), you cant help but feel disappointed when you leave the screen completely unaffected by what you've just watched, and that was certainly how I felt hen it came to Legend.
Labelled of course as a Kray twin biopic, it sadly offers no real insight into their story and only grazes the top of their criminal wrong doings. Instead it goes down the route of Reggie and Frances love story, who is a character so under developed that the fragility her brother so often reiterates, isn't actually explained what so ever and prevents us from feeling anything towards her.
As for Hardy he plays both characters exceptionally well, particularly Ronnie who's insanity and subsequent spontaneity provides some comic relief to it all, however his psychological state is something that could of been explored more thoroughly instead of labelling him as just nuts. The supporting cast, including Taron Egerton and Christopher Eccleston, also do a fine job though Ecclestone's police officer almost gets ignored completely.
The violence is also few and far between but when it appears they definitely don't hold back, providing entertaining scenes more reminiscent of other crime dramas and what you would expect going in. It shows us the real consequences of the lifestyle they live which does its best to offset the fairly superficial painting of 60's London but isn't enough and so the 'glossy' comments its been receiving are sadly warranted.
In the end this adds up to a rather dull final product that wastes so much potential in this genuinely interesting real life crime partnership.
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